
Cats of Chamblee
Painted on a column along the Chamblee Rail Trail as part of Babe Walls, Brianna’s colorful cats bring a playful subject to the infrastructure beside the path.
Brianna Gardocki is an Atlanta-based muralist completing public artwork across metro Atlanta and beyond. She works with municipalities and arts organizations to create murals for civic spaces and public infrastructure, developing the artwork and coordinating installation with the team responsible for each site.

A familiar story seen differently, an unexpected encounter with art, or an occasion to gather around something new.
Familiar places and local stories become subjects for artwork that offers a fresh view of the community.
A painted column or parking deck can give people something unexpected to enjoy along a familiar route.
The people who know a place best can contribute stories and perspectives that open up new possibilities for the artwork.
A mural’s completion offers a reason to gather, meet the artist, and discover the story behind the work.
Explore Brianna’s murals for public spaces and the stories behind them.

A MARTA-inspired mural near Five Points Station, created in partnership with Living Walls for the City of Atlanta.
THE ARTWORK
Scenes of Atlanta appear through painted train windows, using a familiar part of the city’s daily life to welcome people downtown.

Painted on a column along the Chamblee Rail Trail as part of Babe Walls, Brianna’s colorful cats bring a playful subject to the infrastructure beside the path.

“Woodstock Bass” and “Farmer’s Market” bring references to local outdoor culture and community life to the City Center East Parking Deck.
A public mural becomes part of a place people share. Brianna works with project partners to create artwork that feels at home and gives people in the community a reason to look again.
The team’s local knowledge adds to Brianna’s research into the site and its surroundings. A familiar activity or an overlooked detail can become the starting point for a composition, giving local references a new expression through the mural.
Brianna presents the proposed artwork in a mockup so the team can see how it would sit within its surroundings. There’s room to discuss what resonates and what needs adjusting, with feedback informing the finished design.
Brianna works through surface preparation and equipment access with the site team, arranging the painting schedule around nearby activity. Larger murals may involve lifts and additional painters, planned according to the demands of the location.
Documentation during painting gives project partners a way to share the work as it develops. Brianna also brings ideas for celebrating its completion, creating opportunities for the community to meet the artist and connect with the artwork’s story.
This minimum applies to smaller murals as well. Share your organization’s available budget and project brief so Brianna can assess the scope and prepare a proposal.
The complete quote accounts for artwork development and the work needed to install it. Alongside size, factors such as surface preparation, equipment access, production method, and scheduling affect the final cost.
For typical Atlanta mural pricing and more detail about what affects the cost, read the Mural Cost Guide →
An allocated arts budget is a useful starting point. With the proposed site in view, Brianna can help determine the scale of work that budget can support.
Talk with Brianna about what you’d like the mural to contribute and whether her approach feels right for your project.
Tell me about the proposed location and what your organization hopes to create.
If you have a project brief or an open call for artists, I’d be glad to hear about it.
After submitting, you’ll receive an email with a link to schedule a consultation with me.
Based in Atlanta. Available for public mural projects throughout Georgia and beyond.